Mix-ready bass instrument for modern metal
Inferno Bass II
Each purchase of Inferno Bass II includes 2 device activations. These are for non-simultaneous use by a single user (e.g. desktop and laptop).
Inferno Bass II
Inferno Bass II gives you a finished, mix-ready low end from the moment you load it, with the flexibility to shape it further if needed.
If the goal is weight that stays controlled in a dense mix, this is the solution.
Most bass libraries start as raw material. This gives you a finished bass sound.
Inferno Bass II is built for sessions where you don’t want to construct a tone before you can make decisions.
Load it, balance it, and move on.
The Sound
Inferno Bass II is based on the sound of a Dingwall Combustion 5-string. It’s tuned towards weight and continuity.
✓ More low-mid presence
✓ Slightly rounder transient response
✓ Controlled top-end that doesn’t compete with guitars
It sits in dense arrangements without needing to be forced into place.
Where some basses are designed to cut first, this one is designed to hold the centre.
Where it fits
Inferno works when the mix needs weight without becoming congested.
✓ Slower or mid-tempo material
✓ Dense guitars that don’t rely on excessive top-end
✓ Arrangements where the bass needs to feel embedded, not separate
It’s less about pushing forward, more about holding everything together.
The Engine
Fixed, mix-oriented signal path
Sine, DI, Clean, Sub & Grit
Each channel is already shaped to behave in a modern mix.
You can blend, route, and process them independently, or treat it as a single, cohesive instrument.
If you want to customise it, you can. If you don’t, it’s already there.
The idea is simple: the layers you’d usually build are already there, working together.
You can rebalance everything quickly, or leave it as-is.
Aligned and controlled
Shaped to translate without additional distortion chains
Carries the mid detail without getting harsh
Controls
Ducker - Manages low-end interaction with the kick by dynamically controlling the Sub and Sine layers.
Humanize - Applies controlled timing variation to note on/off positions. Movement is repeatable on playback, while preserving tight passages, legato phrasing, and overall timing.
Alternate Picking (Auto) - Automatically alternates stroke direction on repeated notes, reducing the need to manually program picking patterns.
Articulation & behaviour
The performance side is focused, not excessive.
✓ Upstrokes / downstrokes / alternate picking
✓ Three downward slide speeds
✓ Two dead notes
Enough variation to feel intentional, without turning into programming overhead.
Included Presets
Tones from world-renowned producers and mixers
These are practical starting points taken from real workflows.
Load one, adjust the balance, save what you need.
Producer & Multi-Instrumentalist
(Thrown, Humanity's Last Breath, Vildhjarta)
Producer & Mix Engineer
(Bring Me The Horizon, Bad Omens, Don Broco)
Producer & Mix Engineer
(Alpha Wolf, Thornhill, Void Of Vision)
Producer & Mix Engineer
(Signs Of The Swarm, Abbie Falls)
Mix Engineer
(Thousand Below, The Ghost Inside, From Ashes To New)
And Much more...
Inferno Bass II is one of three libraries built on the same underlying architecture, each with a different tonal starting point.
If you prefer more weight and low-mid presence, this is that version.
Runs as a standalone plugin. No Kontakt. No additional setup. Open it and use it.
Samples: 4,377
Round robins: Up to 10 per articulation
Articulations / Features: Downstroke, Upstroke, Alternate Picking, Slides and Dead Notes
Channels: Sub, Clean, Grit and DI
Range: C0–F3
Formats
VST3, AU, AAX, Standalone (Mac & Windows compatible)
Requirements
Mac:
macOS 10.14 and higher
Native support for both Intel and Apple Silicon
Windows:
Windows 10 and above (64-bit)
Optimized for modern systems
Refund Policy
Due to the irrevocable nature of digital goods, we regretfully state that we are unable to offer a refund on any of our products.